| Né | ca. 1708 (Exeter) |
| Décédé | 2 février 1776 (London) |
| Nationalité | Royaume-Uni |
| Époques | Classicisme |
| Profession | Maler, Illustrator, Bibliothekar |
| Élève | Lemuel Francis Abbott |
| Affiliations | Royal Academy of Arts |
| Œuvres majeures | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Musées | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland, Yale University Art Gallery |
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| Né | ca. 1708 (Exeter) |
| Décédé | 2 février 1776 (London) |
| Nationalité | Royaume-Uni |
| Époques | Classicisme |
| Profession | Maler, Illustrator, Bibliothekar |
| Élève | Lemuel Francis Abbott |
| Affiliations | Royal Academy of Arts |
| Œuvres majeures | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Musées | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland, Yale University Art Gallery |